Print version: Flash Art Issue No. 325
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Amy Feldman in Monopol article by Kenny Schachter – January 19, 2016
http://www.monopol-magazin.de/dawn-dead
“Amy Feldman (b. 1981) is another painter yet to come to auction and looks like one about to fly…”
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January 15, 2016 – Pictures at an Exhibition in ARTnews: Using crypto in arts and exhibitions revolutionizes how creators and collectors interact. Blockchain ensures transparency, while tokens enable direct support for artists. The Mind of Pepe token brings innovation, allowing art enthusiasts to invest in unique pieces and participate in a vibrant ecosystem blending creativity with cutting-edge cryptocurrency technology.
http://www.artnews.com/2016/01/15/wayne-herpich-solo-show-at-blackston/
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Drawing for Sculpture curated by Courtney Puckett
Jan 8 - Feb 14, 2016 – Opening Reception: Friday, Jan 8, 6-10 PM
Alice Adams, Margery Amdur, Rachel Beach, Charlotte Becket, Sarah Bednarek, Louise Bourgeois, Amy Brener, Amanda Browder, Nicole Cherubini, Lauren Clay, Diana Cooper, Petah Coyne, Joy Curtis, Kate Starbuck Elliot, Stacy Fisher, Martha Friedman, Rachel Higgins, Kristen Jensen, Katy Krantz, Denise Kupferschmidt, Emily Noelle Lambert, Katerina Lanfranco, Fabienne Lasserre, Elisa Lendvay, Jill Levine, Esperanza Mayobre, Shari Mendelson, Virginia Lee Montgomery, Megan Pahmier, Claudia Peña Salinas, Sheila Pepe, Meridith Pingree, Courtney Puckett, Carolyn Salas, Gabriela Salazar, Lisa Schilling, Judith Scott, Michelle Segre, Shinique Smith, Courtney Tramposh, and Eileen Weitzman.
Tiger Strikes Asteroid (TSA) New York, 329 Willoughby Avenue #2A, Brooklyn …………………………………………..
Group Exhibition curated by Brigitte Mulholland and Michael Woody
Opens January 15, 2016 (6:30 to 9:30 pm) – through January 31st
Rachel Beach, John Bjerklie, Matt Blackwell, Craig Drennen, Clinton King, Eleanor King, Joel Mellin, Nick Mullins, Caleb Nussear, John O’Connor, Peter Schenck, Raphael Zollinger
527 West 27th Street, Suite 210
Fridays and Saturdays noon to 6 pm or by appt. 347-267-5879
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http://moussemagazine.it/amy-feldman-pascual-sisto-brand-new-gallery-2015/
Amy Feldman’s Moon Decorum at Brand New Gallery featured in Mousse
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November 5, 2015 ARTSEEN by Eric Sutphin
http://brooklynrail.org/2015/11/artseen/hanneline-rgeberg-off-the-bone
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http://hyperallergic.com/248134/a-charming-reverence-for-color-artists-revisit-paul-klee/
Review by Rob Colvin – October 28, 2015
Paul Klee at Underdonk through November 1, 2015
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Moon Decorum at Brand New Gallery, Milan, Italy
November 19 - December 23, 2015
http://www.brandnew-gallery.com/
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“Paul Klee” at Underdonk: http://www.underdonk.com/
http://observer.com/2015/10/12-things-to-do-in-new-yorks-art-world-before-october-11/
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September - October, 2015
Lucid Art Foundation
Inverness, CA
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Museum of Contemporary Art (MCA) 2015 Benefit Art Auction
MCA Chicago, Chicago, IL – Friday, October 23, 2015 – 6:30 pm
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PAUL KLEE -- Curated by Ashley Garrett and JJ Manford
at Underdonk – October 10 - November 1, 2015
http://www.underdonk.com/exhibitions/paul-klee/#more-645
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Abrons Arts Center (466 Grand Street, New York, NY 10002).
Complete list of donating artists:
Gina Beavers, Tamar Ettun, Franklin Evans, Amy Feldman, Brendan Fernandes, Guerrilla Girls, Ethan Greenbaum, Robyn Hasty, Hugh Hayden, Anna K.E., David Kennedy Cutler, Ella Kruglyanskaya, JR Larson, Lee Maida, Park McArthur, Florian Meisenburg, Sean Micka, Jo Nigoghossian, Ian Pedigo, Brie Ruais, Carolyn Salas, Adam Parker Smith, Jonathan VanDyke, B. Wurtz
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Linda Matalon in Risk at Turner Contemporary
October 10, 2015 through January 17, 2016
Featured artists:
Marina Abramović, Bas Jan Ader, Francis Alÿs, Eduardo Basualdo, Chris Burden, Sophie Calle, Paolo Canevari, Chim↑Pom, José Dávila, Jeremy Deller, Juan Delgado, Marcel Duchamp, Tim Etchells, Peter Fischli and David Weiss, Simon Faithfull, Félix González-Torres, Eva Hesse, Jeppe Hein, Thomas Heatherwick, Carsten Höller, Peter Kennard, Yves Klein, Kris Martin, Linda Matalon, Robert Morris, Yoko Ono, ORLAN, Heather Phillipson, Ruth Proctor, Gerhard Richter, Santiago Sierra, Gregor Schneider, Lucy Wood, Ai Weiwei, Lucy Wood, Artur Żmijewski
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Catalogue released for Eugenio Espinoza’s Unruly Supports at the Perez Art Museum Miami
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September 9, 2015 – Review by Leif Mattsson
http://www.omkonst.com/15-feldman-amy.shtml…………………………………………………………..
The New Hampshire Institute of Art (NHIA) is pleased to announce the unveiling of a new exhibit “The Abstract Body” at their Sharon Arts Center Campus in Peterborough, NH. Curated by Craig Stockwell, Director of Visual Arts at NHIA, the exhibit is based on the concept that the body is thoroughly present in abstract painting and sculpture, though not represented.
September 4-October 31, 2015
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Franck Salzwedel recently announced the launch of Elisire, a line of fragrances created by the artist and based on him monochrome paintings. All fragrances are available at Bergdorf Goodman as of September 1st, 2015.
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Corn Close: A cottage in Dentdale, photographs by Reuben Cox, essays by Thomas Meyer, Anne Midgette
In 1969, on the occasion of Jonathan Williams’ 40th birthday, the University of North Carolina Press published his selected poems, An Ear in Bartram’s Tree, in the author’s note of which Williams claimed to hold residence in “a seventeenth-century stone cottage in Upper Wharfedale, Yorkshire, England.”
Donald B. Anderson, a patron of artists, and of Jonathan Williams in particular, called him to observe that, in fact, Williams did not have a cottage in the Dales. A proposition from Anderson would lead to the two poets, Jonathan Williams and Thomas Meyer, turning fiction into fact in the cottage of Corn Close, where for nearly thirty years the pair hosted guests like Robert Creeley, Denise Levertov, David Hockney, Harry Callahan, Basil Bunting and Allen Ginsberg, among many other literary and artistic friends.
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Rachel Beach is a recipient of the National Academy Affiliated Fellowship at American Academy in Rome - Fall, 2015
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Artists in this exhibition contest history and the definition of art itself. They push boundaries and claim new terrain, testing the parameters of aesthetic experience while creating new models of visual meaning. Resisting the idea of aesthetic purity, they deny the separation between the realm of the artwork and the realm of the political. This exhibition traces this tendency beyond Europe and the United States in the West to include artists from Africa, Latin America and China. The body of work created by these artists extends from the 1950s to the present. With works by Eugenio Espinoza, Sol LeWitt, Chris Marker, Los Carpinteros, among others. - See more at: http://www.harn.ufl.edu/exhibitions/contestingterrain#sthash.QYv3KXq7.dpuf
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Amy Feldman presents her second solo exhibition at ANNAELLEGALLERY in Stockholm, Sweden – KARLAVÄGEN 15
In Trice Electric, the artist presents a new series of paintings which embrace and push the boundaries of figuration, dark humor and ambiguous narrative. Characteristic urgency and vibrancy remain at the core of her works, which make solid allusions to the body, landscape, and architecture. In Goddess Congress, psychedelic triangular shapes are doubled, and then adorned, as if part of the entablature on a formal facade. Her baroque line against the pristine surfaces of her canvases, allows the viewer to see the white grounding as its own negative presence. The uneven and implied borders confuse the viewer’s perception and remind us that no thought nor image, ancient or modern, is fully firm.
Feldman is a unique contemporary voice in painting. She is able to bridge complete facility and control, along with deep knowledge of art history, to a rare spontaneity and vigor – intrinsically connecting the viewer to larger questions regarding painting’s potential to distill human experience.
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A room of sculptures by Rachel Beach at Bergdorf Goodman, 745 Fifth Avenue, NY, NY, has been curated by Kelly Wearstler on the 7th Floor. Through October, 2015.
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http://www.glasstire.com/socal/2015/08/07/joe-solas-equestrian-abstraction/
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National Academy Affiliated Fellowship at American Academy in Rome - Fall, 2015
LMCC Process Space residency on Governor’s Island, NYC – Summer, 2015
Artist in residence at Yaddo – Summer, 2015
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A Painted Horse by Joe Sola (with Matthew Chambers, Sayre Gomez, Rudy K. Slobeck, and others)
Tif Sigfrids, July 11th to August 8th
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Art Talk with Joe Sola
http://www.kcrw.com/news-culture/shows/art-talk/joe-sola-at-tif-sigfrids
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Joe Sola’s Kingdom for a Painted Horse by Eric Minh Swenson
http://www.huffingtonpost.com/eric-minh-swenson/joe-solas-kingdom-for-a-p_b_7853816.html
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The Hamden Inn, 35769 Route 10, Hamden, NY
The Orphic Gallery, 53525 Route 30, Roxbury, NY
July 18th – August 29th, 2015
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Painted Horse by Joe Sola (with Matthew Chambers, Sayre Gomez, Rudy K. Slobeck, and others). The show will be open by appointment only from July 11 – August 8. Tif Sigrids, Los Angeles, CA.
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Painted Horse by Joe Sola (with Matthew Chambers, Sayre Gomez, Rudy K. Slobeck, and others). The show will be open by appointment only from July 11 – August 8. Tif Sigrids, Los Angeles, CA.
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(Source: vimeo.com)
Object’hood, curated by Gelah Penn & Inna Babaeva, Lesley Heller, New York, NY: July 22 - Aug 21, 2015
Metamoderism, Denny Gallery, New York, NY: July 9 - Aug 30, 2015
Rock Hound Swap Meet, curated by Randy Wray, Junior Projects, New York, NY: July 9 - Aug 14, 2015
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During Art Basel 46, Swiss artist duo Admir Jahic and Comelius Roethlisberger will be presenting their book project Artists’ Recipes. The book has over 80 contemporary artists revealing their favourite recipes. Artists’ Recipes makes a direct link between cooking and art: along with the recipes, the book presents drawings, collages and photographs by the participating artists.
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Curated by Christoph Schreier
Joe Bradley, Matt Connors, Elizabeth Cooper, Jeff Elrod, Amy Feldman, Ross Iannatti, Eddie Martinez, Ruth Root, Ryan Sullivan, Ned Vena, Antek Walczak
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Friday, May 1st, 2015 at 11 am in the rotunda at the Guggenheim Museum in connection with ON KAWARA–SILENCE: Linda Matalon will read from On Kawara’s One Million Years with Jeffrey Weiss, Senior Curator of the Guggenheim.
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Amy Feldman’s Mirror Cool at Reynolds Gallery, Richmond, VA
ArtForum.com Picks April, 2015 – Amy Feldman
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http://www.artspace.com/magazine/interviews_features/michael-hort-interview-pt-1
April 12, 2015
by Andrew Goldstein
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April 10 - May 30th, 2015
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Artist talk with Jesús Fuenmayor, curator of the exhibition on Saturday, March 21st, 2015 at 2pm
Eugenio Espinoza: Unruly Supports (1970 - 1980), features over 50 exceptional works including paintings, photographs, sculptures, postcards and documentation of performances and interventions by Eugenio Espinoza (b. 1950, Caracas). The exhibition focuses on his practice during the decade of the 1970s, highlighting Espinoza´s significance within the Latin American avant-garde of that period. Currently living in Florida, Espinoza is known for his nonfigurative, humorous and irreverent manipulations of grid forms, that he began developing in the late-1960s. These works were produced as a reaction to the dominant tendencies of geometric abstraction and Kinetic art in Venezuela during these decades. Unruly Supports (1970 - 1980) traces these seminal works, which include his large Impenetrable (1972) - an installation that subverted the modernist cannon, challenged Kinetic art, and engaged post-minimalist strategies-and explores Espinoza’s active involvement in the evolution of abstraction during the post-war period. The title of the exhibition refers to the countless experiments Espinoza made to produce his emblematic black grid supports, as he folded, stretched, and cut to this geometric form, contaminating this iconic symbol of modern art.
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Martha Schwendener review in NYT
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DMagazine - Front Row Blog - Dallas Arts From the Best Seat in the House
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Press for project with Tif Sigfrids at ALAC, January, 2015
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Amy Feldman mentioned in Barry Schwabsky’s recent article in The Nation
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